A Tale of Two Kayaks

 It's November and another free class taught by artist Chris Fornataro becomes available. I almost didn't sign up again because there is so much to get done in putting the garden to sleep for the winter and Thanksgiving just around the corner, but at the last minute I decided I really need the practice with landscapes.

Again, I wasn't exactly thrilled with the reference photo, but I knew from the last class in March that it is still possible to end up with a decent painting even with a less than inspirational photo.

The first lesson was breaking the landscape into large value shapes and not getting stuck in the details which is great practice for me. I already like where this painting is going better than the photo.

Here it is with all the steps completed, but the water reflections and getting that illusion of sand underwater in the foreground didn't look right to me.

I decided to forget the sand under the water and make the side canal more still and reflective, but I'm still not certain this choice was an improvement. ??? 

One of Chris's tips was to remove detail and add more blue grey color to the background trees to get a deeper sense of depth on the painting. You can see the difference between the two paintings above, I found that suggestion was very helpful and I loved how that little change made such a difference. 

                                              *****************

Next I decided to challenge myself to see if I had really learned the skills from class by painting from a photo I took of Jeff kayaking Sept of 2019,

First step, start with a value sketch. Second, adjust the design to feature your main focus. I wanted to showcase the sunlight through the trees and also extend the land more than the photo so that I could practice adding visual depth.

Blocking in the shapes, I added an extra step by adding an under-painting of yellow and orange just because I wanted to try it out.

Adding the darker colors of the water and trees went well, I wasn't too keen on the sky and had to go back and fix that!

The sky is much improved, but the water reflections don't look correct to me yet, too bright, the lake water isn't that choppy, also not enough shadow on the vest or kayak.

Greying down the water reflections and adding shadows to the  vest and kayak helped a lot, but I still don't think the water looks right. Obviously I need more practice understanding how to paint light on water.

Overall, I'm thrilled with most of it, I improved on the photo, I got the depth and "atmospheric perspective" looking pretty good and I resisted the urge to do anymore detail on the trees which is a big win for me, "Miss Fiddle-brush."

I'm glad I did the class, even though it was very similar to what we did in March, I know the repetition really helped some concepts sink in for me! Practice makes progress...

Happy Creating!

>^-^<

Tina

Here's a sample of Chris's teaching style on YouTube: Click to watch 10 Tips to Improve Your Landscape Paintings

A Royal Visitor

 

Top "A Mid-Morning Snack" Bottom "A Royal Treat"

I have been waiting for five years to see a Monarch butterfly in my garden. They were always a favorite, and I especially learned to love them in grade school. In third grade we spent a lot of time learning their life cycle and were encouraged to bring the boldly striped caterpillars in with plenty of milkweed leaves to feed them. 

There was an excited pause in the regular school day when one of them would emerge out of their chrysalis. We waited impatiently for them to pump up those collapsed wings and for our teacher to say it was safe to escort this wonderful new creature outside. If concentrated kid love and energy could protect anything, our class butterflies were triple wrapped for a safe, long journey!

Photo ©2023 Joanna Katzen

Earlier this year I read a long news article about how there are less oyamel fir forests in Mexico and less Monterey pines and cypresses in California for the Monarchs to hibernate in, and less milkweeds for the hungry caterpillars to eat so there are less Monarch butterflies, around 80-90 percent less since the 1990's! Honestly, I was so surprised and saddened that the numbers have dropped so much in my lifetime, no wonder I haven't been seeing them in my garden.

She seemed to like the plain yellow ones best!

 

The morning of August 18th this year, I was looking out the dining room window and happened to catch a flash of orange out in my sunflowers, could it be?!? Grabbing my iPhone I carefully and quietly walked out into the yard, hoping I wouldn't scare this visitor but definitely wanting some photos before they might flit away. 

This monarch was ignoring the zinnias, cosmos and blanket flowers but seemed to be enjoying the sunflowers. I held still as I could while snapping photos as she floated round and round, tasting and sipping her favorites for a magical 15 minutes and then she was gone. 

"A Mid-Morning Snack"

Even though I want to, it's probably not sensible to try and grow milkweed in my tiny garden, but I also learned that sunflowers and asters are a good nectar source for adult Monarchs, so at least I got that part right in providing a mid-morning snack for one!

What beautiful thing do you wait to see every year?

 Happy creating!

>^-^<

Tina 

This isn't the exact article I read, but it is still very helpful.More information about the Monarch Butterfly. 

The stunning photo of the Monarchs sipping from New England asters was taken by a friend on Facebook, Joanna Katzen, she kindly agreed to let me use her photo for reference, thanks so much Joanna!

Sunflowers in Series for August

 

"What a surprising group of lovely suns!"

 

I haven't designed many paintings in a series, I think the last time I attempted it was back in 2010-2011 when I made five 5x7 inch oil paintings of swans. I remember each painting took me many days to complete and I became a bit burned out on the subject.

In an attempt to paint more with less anxious fussing around about the details, I made eight little 2.25 x 3 inch rectangles in my sketchbook and chose the glorious sunflowers in my garden as my subjects. 

I have to say, I even surprised myself with this result! I hope I can capture the same energetic brush work when I try to paint them in a larger size. Now I have a new problem, which design do I want to spend the time and effort to paint larger?

Here is a closer look at my favorites:

"Bouquet of Suns"

 

I really like how this group relates to each other, I planted the original seeds two years ago, one seed packet was burgundy brown and the other pale yellow. These volunteer "grandchildren" plants are interesting, some of them have deep red brown centers with gold edges and others are pure yellow with green centers.
 

"The King and Bee"

 

The bees and butterflies have been having a grand time sipping and zipping around the garden, this was my tallest and largest sunflower and that white bit is a quick shorthand for a bee.

"Blondie and Friend"

 

I was calling the sunflowers that were all yellow with green centers the "Blondies," I wanted to be certain to get a portrait of them.

"Sunburst Afternoon"

I tried several times of day to get the perfect photo of this sunflower, the afternoon photo turned out to be one of my favorites.

"Solo Sun"

 

Since the sunflowers this year are all volunteers from seeds from the year before, some of them were scattered by the birds and it was surprising where they popped up, like this solo beauty standing by itself.

"Warm-Hearted"

 My attempt to capture some of that wonderful warm sun glow through those gold and red brown petals.

Which one of these charming sunflowers would you pick?

I'm reminded of that very expressive German phrase "Die Qual der Wahl" which means the "the torture of choice." That sounds a bit dramatic, but it's a great phrase to try to convey that predicament of having too many good choices.

Happy Creating!

>^-^<

Tina

Why Crocus in July?

I had great plans this spring, I was going to paint and post flowers that inspired me as they bloomed in my garden, beginning with some lavender crocus that bloomed on Easter morning.

 I set out with brushes in hand and a new book to inspire me, "How to Paint fast and loose and bold" by Patti Mollica, determined to get my art process loosened up and faster so I could keep up with my flowers.

April 9, 2023- Easter morning awakens.

I started off okay with a clever type of value study I learned from Patti's book. Look at each line horizontally and notice how the same color looks so different on each different grey background. A color can shout out "here I am" and then almost disappear depending on the background behind it.

 

Background color sets the mood!

 

I painted a couple of small color studies to test out my color choices. Note the May 13th date on the left hand page, I'm all set to go for finishing a painting for my May blog post. 

Then I decided on a last minute whim to go visit family on Memorial Day weekend and ended up with a surprise, an extreme allergic reaction to what the doctor thinks were 6 mosquito bites, seriously?!? Whatever it was, I did not feel well for over two weeks, I felt fatigued and my balance was off.

 

Testing, testing, testing!!

 

Now it's June and I'm feeling mostly better. My plan on this painting was to follow Patti Mollica's advice and try to use more paint and fewer brush strokes, really think about how I'm going to be efficient and not overwork the paint. Here I go, all on the same day...

 

Background wash, one brush!

 

Darkest value defines the light.

Bring on those green leaves!

All dressed up in lavender.

  

Boom, layer after layer going on, valiantly resisting the urge to touch up any of the brush strokes and then my painting time is up that day. 

We had made plans to go camping for two nights, something we haven't done in years. We have a grand time getting there, camp site is great, all is going pretty well until evening and then I don't feel well, I feel so dizzy. I can't sleep all night, the next day we hike a little but I am getting worse. We go home and I try to figure this out, I've had these attacks before, and I try all the things, but this just wants to hang on and on and on! 

No painting happening, I don't have the energy or focus for it. June passes by and now it's July before I finally feel up to figuring this painting puzzle out.

 

Orange completes the look!

 

 I wasn't certain how I was even going to finish this painting, I felt so discouraged about all the set backs and then I didn't really like how it was looking! I couldn't quite put my finger on what was bothering me, all the brush work looked pretty good and the values are right, I think... then I compared it to my photo and realized the foreground is a bit too bright for the flowers to really stand out, so I broke the "fast and loose" ideals and painted over the foreground again to darken it.

 

No shining stars without the dark.

 

What a journey, and I still can't decide if I like this painting or not, the brushwork in the foreground isn't as nice and the crocus look too stiff and heavy to me. At least I learned some new techniques and it is done. I don't like to leave paintings half done because they haunt me, seriously, they do!

 Happy Creating and Persevering...

(Sometimes creating involves not giving up, even when you want to.)

 >^-^<

Tina 

p.s. I am feeling better, not 100 percent, but better. Possibly some sort of virus messing with my inner ear and taking it's sweet time to heal. Thanks for reading! 

Going from Weird to Wow!!

 

What a journey!

I signed up to take a free painting class from Chris Fornataro, an artist who I admire and follow on YouTube.

The emphasis of the class was practicing how to use large value shapes as a foundation for better paintings. I don't usually paint by following another artist step by step, so this was definitely going to be an interesting hands on look into his process. 

The beginning of the first lesson, a still life, was a little strange looking...

Is that a huge pimento?

 

We began with painting the subject by only representing the largest basic shapes of light and dark. Jeff told me he thought I was painting a giant pimento olive, not a very promising start!

What I did like was watching how efficient Chris was in mixing his colors using a limited palette, this painting only used ultramarine blue, cadmium red, cadmium yellow and titanium white.   

For example, he would start with the basic color, mixing blue and red for the purple background and then adding a little of the yellow to "de-saturate" the purple to make it less vivid and more natural looking. He did the same thing for the apple, blue and yellow to make a medium green and then a bit of red to tone it down a bit. 

Chris also emphasized how we can simplify mixing color by focusing on the primary colors and asking ourselves, does this mix need more blue, more red, more yellow?

 

Second round of shapes, lesson example.

 

Next, we painted smaller shapes onto those larger mid-tone light and dark sections using the same color mixes, but adjusting them by adding some white or yellow to lighten or some mixed purple to darken the colors or add shadow.

 

Snack time!

 

As I added more refining shape layers, I was so relieved to watch the painting begin to take form. The class was taught using oil paints which stay "wet" and are easy to mix for a long time. I didn't know if I could make his process work with acrylic paint, which even with extenders, dries very quickly. I was very happy and excited to try another subject after I ended up with this first result.

The second assignment was a landscape. Here is the reference photo we were given to work from.

Beach photo © Chris Fornataro

 

I was rather disappointed when I saw this photo, it was not my idea of an inspiring subject. I would never pick a photo with lighting that it would make trees look like a huge block of uniform green. The cast shadow across the beach and into the water was nice, but still!!

The first blocking in of the large mid-tone value shapes was not great to look at either. Some of the students called it the dinosaur stage, I thought mine looked like a duck with big hair!

Hello Lochness, I think I found your monster!

I could understand what he was trying to teach though, seeing the large blocks of color and value to build a good foundation for the painting first, then adding smaller value shapes on top to create form. I intended to follow exactly what the instructor was asking us to do, hoping that some how I could eventually make it come out alright.

 

The secret is all in the layers!

Adding the second layer with the smaller value shapes did help. It took me a lot longer to get the acrylic color mixed and in the right places, but I could see the finish line now.

I could imagine myself here after all!

The final little details brought it all together and it was a logical way to paint, going from large shapes to small. I am curious how it would have looked if I had used oil paints instead. I suspect it would have been faster! It took me a lot of extra time to remix and blend my fast drying acrylic paint.

Overall, it was a good class and I would recommend him as a teacher. It wasn't anything I didn't know, but it was valuable practice and I gained some insights into mixing color that I'm going to use going forward with my own work. Sometimes it is so worth while to see the world through some one else's eyes.

Happy creating! 

>^-^< Tina

Lost in the Shadows

 

  As an art student, I wasn't always excited about making still life paintings. We did several of them in school, but I didn't feel compelled to make any more after I graduated. 

Lately though, I am appreciating the wisdom in regularly practicing this style of art work. 

I recently set up a simple still life of two Bosc pears, my goal was to practice blocking in color more efficiently.

 

"The Kiss"

 In support of this goal, I decided to make a drawing from my photo in digital form on my computer to pre-block out the colors. I thought this would make them easier to see and help me make better color value decisions.

 

"Digital Kiss"

 Everything was going smoothly, the 8x10 drawing and complementary color under painting came together nicely and I thought once I had those dark and light values in place, I could just charge ahead with the final color. Imagine my surprise when I suddenly felt stuck! 

 

"Complementary Kiss"

 

  My color blocking plan had been too successful, I could see so many colors in the shadows of my digital sketch that I wasn't certain how to mix them to get all those subtle shifts! 

I usually only use a limited palette to mix my colors so that the painting feels cohesive. 

 The bright oranges, yellows and greens where the sunlight was hitting the objects were not a problem, I wasn't certain how to mix that wide range of  browns that varied from tones of green, deep orange to red violet from a limited palette.

 

"Digital Kiss" it's all in the details.

 Mixing colors is usually the part of painting I love the most, it was weird to feel so stuck. 

So before putting another brushstroke on my still life, I went to my tried and true anxiety calming back-up, testing out color mixes in my sketchbook.

Anxiety reliever.

 

  Six hours of mixing and painting later, I finally had some answers.  

My great light-bulb moment came when I finally figured out how to mix a wonderful range of related of browns by adding a little blue to cadmium red light or cadmium orange.

I was surprised that even using different blues still increased the color range without looking out of place.

 

Hearts and stars marking my favorite mixes.

  That little 2.75 x 3.50 inch color study took so much work, but I feel like I can paint the larger 8x10 with a lot more confidence now, since I've mapped out how the color temperature and value changes as it wraps around the pears and across the plate. 

Painting such a subtle shift in colors in the shadows added so much interest and richness, I really loved the effect.  I know I will be thinking more about what is going on in the shadows of the next paintings I make.

 

"Little Kiss"

Here's to the wisdom of going back to practice the basics. 

 

Happy Creating! 

>^-^< Tina

Transformation

 

Transformation

I've had in mind for several years now to make a poinsettia painting to hang up for the holiday season, the last week of December I finally decided to give it a try. I have a favorite photo of mine from January 2013, the winter we spent in Dresden, Germany. Yes, that is my suitcase in the photo.

Brilliant color lingering on... January 26, 2013

 

I chose a 20x20 inch canvas and several days later I had a pretty good painting, but I wasn't happy with the shadow color behind the poinsettia. I had tried various color mixes, but the result kept feeling so drab and flat, it really bothered me.

"After Party"

I was so annoyed that I used some flat white gesso and just covered up all that grey. It looked better to me but I didn't want to leave bare gesso like that, plus I didn't like that I couldn't solve this problem!

 

"After Party in White"

 

Looking for ideas, I watched some acrylic painting videos on YouTube. I finally found inspiration from the artist Ali Kay, she always makes a vivid underpainting in a complementary color, so I decided to give her strategy a try...

"After Party on Fire"

 

 Wowza! Very fiery, but I was pleased that my overall design still looked good even in orange.

"After Party in Purple"

 

I really liked how the purple grey I painted the background was warmed by that intense orange underneath. Plus, I left the brush strokes more visible to add some lively energy to the scene.  I liked the warmth so much, I thought I would try some more!

"After Party - Awkward Moment!"

Yikes! This was a very unappealing step and I moved on as quickly as I could from this seriously awkward stage.

 

"After Party in Progress"

  

This time, I'm not certain the orange changed the blue table that much and I felt a bit discouraged that I had wasted my time! 

After a break, I reminded myself that while repainting the table I had reshaped the bottom leaves and by adding more of the bright green where the sun light was bouncing off the leaves it improved the illusion of depth.

The painting isn't quite done yet, but I wanted to share how learning from other artists and taking a creative risk can get you unstuck on a project.

Happy creating!

>^-^<

Tina

Ali Kay's wonderful "Holiday Lights" paint along video. This is the first painting video I watched of hers that inspired me to try a different solution to my painting problem. Thanks Ali Kay!