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| What a journey! |
I signed up to take a free painting class from Chris Fornataro, an artist who I admire and follow on YouTube.
The emphasis of the class was practicing how to use large value shapes as a foundation for better paintings. I don't usually paint by following another artist step by step, so this was definitely going to be an interesting hands on look into his process.
The beginning of the first lesson, a still life, was a little strange looking...
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| Is that a huge pimento? |
We began with painting the subject by only representing the largest basic shapes of light and dark. Jeff told me he thought I was painting a giant pimento olive, not a very promising start!
What I did like was watching how efficient Chris was in mixing his colors using a limited palette, this painting only used ultramarine blue, cadmium red, cadmium yellow and titanium white.
For example, he would start with the basic color, mixing blue and red for the purple background and then adding a little of the yellow to "de-saturate" the purple to make it less vivid and more natural looking. He did the same thing for the apple, blue and yellow to make a medium green and then a bit of red to tone it down a bit.
Chris also emphasized how we can simplify mixing color by focusing on the primary colors and asking ourselves, does this mix need more blue, more red, more yellow?
Second round of shapes, lesson example.
Next, we painted smaller shapes onto those larger mid-tone light and dark sections using the same color mixes, but adjusting them by adding some white or yellow to lighten or some mixed purple to darken the colors or add shadow.
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| Snack time! |
As I added more refining shape layers, I was so relieved to watch the painting begin to take form. The class was taught using oil paints which stay "wet" and are easy to mix for a long time. I didn't know if I could make his process work with acrylic paint, which even with extenders, dries very quickly. I was very happy and excited to try another subject after I ended up with this first result.
The second assignment was a landscape. Here is the reference photo we were given to work from.
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| Beach photo © Chris Fornataro |
I was rather disappointed when I saw this photo, it was not my idea of an inspiring subject. I would never pick a photo with lighting that it would make trees look like a huge block of uniform green. The cast shadow across the beach and into the water was nice, but still!!
The first blocking in of the large mid-tone value shapes was not great to look at either. Some of the students called it the dinosaur stage, I thought mine looked like a duck with big hair!
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| Hello Lochness, I think I found your monster! |
I could understand what he was trying to teach though, seeing the large blocks of color and value to build a good foundation for the painting first, then adding smaller value shapes on top to create form. I intended to follow exactly what the instructor was asking us to do, hoping that some how I could eventually make it come out alright.
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| The secret is all in the layers! |
Adding the second layer with the smaller value shapes did help. It took me a lot longer to get the acrylic color mixed and in the right places, but I could see the finish line now.
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| I could imagine myself here after all! |
The final little details brought it all together and it was a logical way to paint, going from large shapes to small. I am curious how it would have looked if I had used oil paints instead. I suspect it would have been faster! It took me a lot of extra time to remix and blend my fast drying acrylic paint.
Overall, it was a good class and I would recommend him as a teacher. It wasn't anything I didn't know, but it was valuable practice and I gained some insights into mixing color that I'm going to use going forward with my own work. Sometimes it is so worth while to see the world through some one else's eyes.
Happy creating!
>^-^< Tina
