Bird & Sunrise photo

Bird & Sunrise photo
Because "someday" is today!

Monday, June 8, 2015

Cairns of Personality

A big thank you to everyone who expressed your support and interest in seeing the new painting subjects I am contemplating.  Here are five preliminary watercolor sketches to give you an idea of what I have in mind for this series.
"The Watcher" 3.5"x 4.6" watercolor sketch on paper ©2015 Tina M. Welter  Rock cairns near Island Bay, New Zealand.
"The Watcher"






I tested my ideas out on sketchbook paper, this is why you are seeing the buckles and ripples of the paper.  The nice heavy watercolor paper that I use for my finished paintings doesn't do this.  For me, working small and testing an idea in my sketchbook takes away some of the anxiety of making mistakes.  Plus, painting landscapes in a small format makes learning about this new subject seem more manageable to me.

"World on a Platter" 3"x 4.25" watercolor sketch on paper ©2015 Tina M Welter  Rock cairns around Island Bay, New Zealand.
"World on a Platter"
All last winter when I was photographing these, I kept wondering about the artist who was creating these outdoor temporary sculptures.  I decided I needed to photograph them because depending on the weather, they could change completely from day to day.

"Front Row Seat" 4.3"x 3.2" watercolor sketch on paper © 2015 Tina M Welter  Rock Cairns near Island Bay, New Zealand
"Front Row Seat"
Two weeks ago, we went out to see the huge waves that arise from the winter storms.  One of the locals we have met a few times before when hiking around the beachfront, noticed me taking pictures of a cairn sculpture with a log balanced carefully on it.  He walked over and took the log off and showed me how he balanced the rock and the log.  I was so excited, I finally knew who the mystery beach artist was!  He was just as surprised to find that his work had been inspiring me. 

"Skyline" 3.5"x 4.5" watercolor sketch on paper, ©2015 Tina M.Welter  Rock cairns near Island Bay, New Zealand.
"Skyline" 
I find myself intrigued by the way these figures and forms almost seem to have personalities and stories.  The stories seem to shift depending on what angle I photograph them from and which cairn groups I include in the photo.  I wonder if that is why we humans make monuments, they create a kind of accent to the sky and natural surroundings. Like adding a new spice to a well known dish.  

"Grandmother" 4.5"x 3.3" watercolor sketch on paper, © 2015 Tina M. Welter  Rock cairns near Island Bay, New Zealand.
"Grandmother"
I am fairly pleased with these little sketches.  I kind of wish I had tried them out on good watercolor paper so that they would be finished little pieces of work in their own right.  My plan is to create the final paintings on canvas with oil paints.  I am curious to try simplifying the lines and color blocks even more to see if the painting would still have personality.

What do you think? Do you like the rocks?  Do I "Rock on" or am I "off my rocker?" ;)

>^-^<  Tina

"Jeff catching the big waves" ©2015 Tina M. Welter - Houghton Bay, New Zealand
Jeff catching the big waves.

Friday, May 22, 2015

A Different Direction

"Good Morning" 8"x10" oil on panel,Gessobord ©2014 Tina M Welter, Three boats in Island Bay, New Zealand.
"Good Morning" 8"x10" oil on panel,Gessobord ©2014
My friend Evelyn here in New Zealand commissioned this painting for her husband's birthday last October.  She wanted a seascape with the boats in Island Bay. I haven't considered landscape painting to be one of my strengths, every time I have tried it in the past, I haven't been completely satisfied with the results. I did, however, want very much to please my friend.

I can never tell if this irresistible pull to please people is a positive or negative thing in my life.  On the plus side, I will face all sorts of fears and resistance to please someone or a cause I care about, but on the other darker side, I will also trample over what is best for myself to achieve this goal. Ouch! Does anyone else struggle with wielding this double-edged sword?

After taking over 200 pictures of Island Bay, stressing mightily over boat arrangements and painting ocean waves, (arrrrgh!) I felt reasonably happy with the result.  More importantly, Evelyn and her husband were happy with the painting!

I am bringing all this up because of my interview with the gallery last week. My darling cats were not a good fit there. After thinking about this situation, I proposed painting a series based around the rock cairns I photographed here last fall in Island Bay. I wouldn't have had the courage to even offer this if I hadn't completed that painting for Evelyn. The owner is interested to see them and now I need to get busy painting.

I am hoping I did the right thing.  I love my cats and I wanted to stay true to my earlier commitment to paint a monthly cat art piece this year.  I'm also excited to try the new series, but I have a sneaky suspicion that I may be putting too much on my plate again, which will result in feelings of overwhelm and anxiety.  (There is also my album of songs about grief that I promised to finish, my regular blog and newsletters to write, plus looking for a part-time job...)

It's a wonderful thing to be able to dream up more projects than I can possibly do.  It's not so fun to have to decide which ones will get to exist in reality.  Wish me luck, I realize am not very good at saying "no."


>^-^<  Tina 

Rock cairns at Island Bay ©2014 Tina M Welter
My inspiration for the new painting series



 p.s. If you are not a newsletter subscriber and you would like to read last week's post featuring"The Safety Zone", all about what I learned from my anxiety meltdown in going to approach a gallery, click through to a copy on my facebook fan page here:  Tina Welter's Artist Life Experiment

Saturday, May 2, 2015

Night and Day

"Heavenly Night" Mother cat and kitten, 6"x5.5" mixed media, digital ©2015 Tina M Welter
"Heavenly Night" 6"x 5.5" mixed media, digital ©2015
I wanted to blend together my love of watercolor and the tools of the digital world I have been exploring recently for my newest artwork.  One of the wonderful things about digital artwork is the ability to try out several possibilities without using up so much canvas and paper.  My "scarcity" 'fraidy cat definitely loves this aspect!

This may seem like a new direction for my art to take for some, but it is actually a combination of an older style of my own from art school days and years of designing stained glass art.  

While Utah State University, I had design classes from Prof. Jon Anderson.  His classes were tough and I often despaired of ever learning what he was so passionately trying to teach us.  After a particularly disappointing assignment review, I called my Dad in despair.  I will never forget how he told me to "learn all you can, take advantage of everything your teacher is trying to give you."  I was a little disappointed that he didn't commiserate with me on how difficult the class was, but he did give me a different outlook.  Dad didn't get to finish his college training and in retrospect, I think he would have liked to have had that opportunity again.  

I "girded up my loins" and tried again and again, and eventually I did start to understand the design concepts and my assignment grades improved accordingly.  I am grateful now because those design principles have served me well over the years in so many different ways.

Seeing the same problem in a new way can certainly change the outcome in surprising ways. Sometimes it is like night and day, both beautiful in their own way.

Happy creating!

>^-^< Tina

"Rosy Morning" Mother Cat and Kitten 8"x 10" mixed media, digital © 2015 Tina M Welter
"Rosy Morning" 8"x 10" mixed media, digital © 2015

  Both of these prints are available at Fine Art America, click here

For this week only, "Happy Mother's Day" is printed in white text on the "Rosy Morning" print.

Friday, April 17, 2015

Tape Loop

"Tape Loop" 4x4 proportion digital art ©2015 Tina M Welter, artwork for the first song in my album, "The Upside of Down."
"Tape Loop" digital art ©2015

Grief. Stage One...Shock & Denial

July, 2013-I'm standing in my parents bedroom taking pictures after Mom's death. Dad died the year before. I have to leave to travel far away soon and I know that everything will be changed. I am taking pictures because I know it will never be the same. I am thinking of how we leave a record of ourselves, even in where we choose to leave our “stuff”. Mom always hated letting go of things and it shows. But I don't care. It's a part of a record of her, and it will soon be gone. Her plants, Her cluttered dresser tops. Dad's spare change jar, his collection of missionary name tags. 

Everything. Gone. 

I can hardly stand to think about it. This room has been my place of refuge since I was a little girl and I used to climb in bed with them when I had nightmares. I used to watch for their car headlights from their bedroom window. Waiting for them to come home from a rare evening out together. Waiting for that one car to turn down our long lane.  I would go to their room to talk to them when I came in late from high school activities. When at age sixteen, I got my first driving ticket, I came to them in tears. In college, I would come to kiss them goodnight. My room was nearby and I could hear their low muffled voices at night, making me feel so safe as I drifted to sleep. In my middle age, I climbed in between them after they had each had strokes. Knowing then that daybreak wasn't going to take this bad dream away.  No, I don't want to change anything. If everything stays the same, I can believe that they might still come home.

April 18th is their wedding anniversary.

Mom & Dad, this song is for you... and for all of us who have lost someone irreplaceable.

Tape Loop- click this link to hear the song on soundcloud 

Love, Tina

Thanks to everyone who encouraged me to face my anxiety and finish the songs.
Image, lyrics and music copyright 2014-15 Tina M Welter
all rights reserved.

Monday, April 6, 2015

Twinks loves Easter

"Twinks Loves Easter" oil on gessobord © 2015 Tina M Welter  Grey and white striped cat with a happy face in an Easter basket.
"Twinks loves Easter" 10"x 8" oil on gessobord
Twinks is a pretty little cat I had the chance to "cat sit" for ten days for a neighbor.  She is a cat after my own heart, since she is shy and a bit of a 'fraidy cat too.  After she decided I was all right, there wasn't enough ear scratching possible, which is why I took my camera to catch her rubbing her ears on her basket.  I find her smile irresistible. 

This is a fairly new style for me to try, since I added a lot more elements than are in the original photo.  To help myself, I actually created a digital collage first of what I wanted the finished painting to look like.  It did help, but I still encountered a good bit of creative anxiety in dealing with the complex weave of the basket and the grass texture had me worried too.

Even more powerful was the huge dose of the discouragement tar on my soul that was really slowing me down.  This last month I have finally had to admit that financially, I need to go find another job.  I have been putting all my energy this last year into getting my on-line art business up and going. I am maintaining a regular presence on Etsy, Fine Art America, Instagram,Twitter,Pinterest, Facebook and Blogspot, plus launched a newsletter, but it just isn't enough yet.  It's been hard for me to come to terms with.  I always think if I just work harder, the money will happen, which may be true, but in this case it just isn't happening fast enough.  Since I was so focused on achieving this particular goal, job hunting feels like I failed and that is a distracting emotion. Plus, I get this awful little voice in my head telling me "why paint and push yourself so hard, no one really cares if you get it done on time or not".  This may be true, but it isn't a particularly helpful or motivating voice. 

In thinking it over, I am actually proud of myself for fighting through the discouragement sludge and getting this painting completed, even if I missed my deadline.  Twinks really is adorable and that doesn't change.  I hope her smile is contagious for you too, no matter what time of year it is. 
 
What do you tell yourself to get out of the discouragement tar pit?

>^-^<
Tina

ps. I'll be sharing my digital collage with my newsletter subscribers in the next issue. If you are interested,please sign up and get my latest newsletter about "To Fear or Not to Fear" as well.

If you would like to see an example of one my newsletters, here is one I posted on LinkedIn.  Fear Equals "Real" Artist? (click to read)

Thursday, March 19, 2015

Solo vs. Duo

"A Time to Dance" 7"x 5" oil on gessobord, ©2014 Tina M Welter.  Two Swallowtail butterflies dance in the sunshine.
"A Time to Dance" 7"x 5" oil on gessobord
I really debated about writing this post or not.  Is it a good thing to show the "behind the scenes" goofs?  Does it take away the magic and mystery of art making if I do so, or does it help others to know that not all creative ideas work out perfectly?  Since I have publicly declared my desire to question my own perfectionist inner voices this year, (RE:Is Your Best Ever Good Enough?)I decided to share this even if it makes me a little anxious to do so. 

"A Time to Dance" was inspired by a lovely pair of swallowtail butterflies flying in the sun with a wall in shadow behind them.  The green bar on the left of the painting wasn't there at first.  When I had finished painting, I just felt something was off. I showed it to Jeff and he mentioned that the proportion of the photo I was working with was different than the 5"x 7" gessobord I was using.  Good grief, I couldn't believe I had missed that!  I added the green bar to adjust for my mistake.  It is an o.k. solution, but I felt the whole painting just didn't capture the movement and joy that I had envisioned.  Sigh.  I set it aside and went on to other things.


"A Time to Dance Solo" 8"x 10" digital detail of the original oil painting, ©2015 Tina M Welter  A single yellow swallowtail butterfly with sunlight on it's wings.
"A Time to Dance Solo" 8"x 10" digital detail of the original painting.
Recently I had a chance to learn how to better use the Pixelmator program on my computer and that started me thinking about this painting again.  What if I took a new photo, cropped it, and figured out how to add my signature to the new image?  It took some doing, but eventually I had something I was really pleased with.  I like the larger brush strokes and the butterfly just feels less static to me.  The other great thing is that I can make nice prints from the new image, so in essence, it is another piece of art in it's own right.

So what do you think?  Do you prefer the "duo" or the "solo" dance?  Does it ruin the mystery of a piece of art to tell the secrets about it's creation? Let me know what you think in the comments here or on facebook.

Happy fear-less creating!

>^-^<
Tina

If you would like to see how "A Time to Dance Solo" looks on a card, canvas print or pillow, click here to visit my FineArtAmerica site.

Tuesday, March 3, 2015

Lucky

"Lucky" 7"x 5" oil on gessobord ©2015 Tina M Welter- Black kitten sitting in a field of clovers
"Lucky" 7"x 5" oil on gessobord ©2015
Oh those moments, when it is hard to believe that what I do affects anything or anyone and I struggle with believing in myself. Sometimes it seems easier to freeze and not make a decision, especially when I don't expect to find a solution that will work for me. When I stopped and really asked myself "why" for this post, I was surprised to find that underlying all of these beliefs is the feeling that I am trying to avoid the pain of disappointment.

I have lived 26 years with a person who amazes me because his approach is so opposite to mine.  Over all these years, I've been able to see for myself whose approach gets the better results. :0  I have lost track of how many times I have heard people tell Jeff "oh, you are so lucky..."  I've tried to learn from him and for today's post, I am going to share with you some of Jeff's thoughts on luck.

Jeff''s basic recipe is:
Luck = preparation and awareness

His steps are:
-Decide what he would like.
-See what is available.
-Analyze resources.
-When the right combination comes together, don't hesitate.

Seems simple enough, but what people don't see but I do, is the hours and hours he puts into doing these steps over and over.  It's like he has all these possibility puzzle pieces in his head and part of his fun is testing out all the ways they could fit together.

Other key aspects I have observed:

An optimistic outlook.  Jeff expects success, he sees the world as full of possibilities.   I, on the other hand, can immediately see everything that can go wrong.

Flexibility.  This includes considering unconventional solutions and an ability to allow a plan to change.  I can get so fixated on only one possible solution, that this one plan is all I can see.

Accept that there will be big disappointments!  I was stunned when he said this, since this is my underlying fear that I mentioned before.  Somehow it never dawned on me that he takes that part of it into account.

Getting a step closer to your goal is great, even if it isn't your perfect solution.  I want the whole perfect answer in one nice package!

Have these two different view points ever caused friction in our marriage?  Oh baby, yes!  I think we could have lit a few cities with the energy released in some of our discussions, especially early in our marriage.  But my point of view was always considered and ultimately we made the decisions together.  I've just learned to appreciate better what Jeff so naturally does.

 Tweet: Luck grows in the garden of action.#feelinglucky #luckykitty @TinaWelter http://ctt.ec/B8pqz+Luck grows in the garden of action.

Obviously, I'm not saying we can control everything, and we are genuinely grateful every time a plan falls into place.  I'm just recognizing that there are actual mindsets and actions to increase the odds of finding that four leaf clover!

>^-^<  Tina

If you are interested in a greeting card of "Lucky", please Click here to visit Tina's Fine Art America site