Journey

"Journey" 8"x 10"oil on "Gessobord"c.2012 TMW

This painting is a something I haven't attempted in a long time...a landscape.  Some of the first paintings I attempted years ago in watercolor were landscapes and I felt they were not successful.  I tried a few more here and there over the years, but resigned myself that I was just not a landscape painter.  I am happy to say that after a year of focusing on my painting that I am finally satisfied with one of my landscapes.

"Journey" represents to me how the unknown lies before us and even with family or friends, inevitably we still have to face our fears and anxieties alone.  Moving to a country where I don't speak the language, trying to figure out my artistic voice, losing my father to cancer three months ago– I have felt the intensity of panic, negative beliefs about myself, and just plain uncertainty about everything.  The most relief I have experienced was when I could give myself some approval, reassure myself that we will have enough.

With Skype, I shared this painting with my sweet Mom.  She thought I should have painted two swans...I don't disagree.  Every journey IS better when shared with someone else, and I am so grateful I have Jeff to share with, but I couldn't change it.  Each of our experiences are so unique.  Heading out under the bridge into larger water, means something different to everyone.  My swan swims alone.

Inspiration Quest

"Rock and Roll" 7"x 5" oil on "Gessobord" c. 2012

I am always on the hunt for any sculptures to inspire a painting here in Vienna.  Sometimes an idea is obvious, often it doesn't occur to me until much later when I am looking at the photos on my computer. 

Lady with a lyre, my inspiration.

This last subject falls exactly into that category.  Jeff actually pointed out "that great light" that was on those sculptures, and so I got off the tram and took a few photos, not really feeling particularly inspired other than by the lovely lighting.

I had planned to post the finished painting today, but a miserable cold kept me completely down for the last four days!  Catching a cold in the summer should be illegal.  I decided to at least give you the photo of the inspiration.  I had an idea to give this musician an update.   Hopefully, I will be able to show it to you next week.

The Keeper

"The Keeper" 7"x 5" oil on "Gessobord" c. 2012

Soccer is a really big deal here in Europe.  Where ever there is a little open space,  you will see many people playing soccer informally here.   Being next to the Donau Park, we can see several games going on simultaneously.   One of my favorite teams was a group of Orthodox Jewish boys playing the game complete with black hats and prayer shawls flying. 

On one of our photographic expeditions,  I found the best goalkeeper of all.  I can only imagine the lively game that ended with this result.  Yes, there was a little open plaza in front of this church in a block thick with buildings.

I used the same palette of colors that I used in the painting "Wait for it", but I leaned more to the warm tones and added some Burnt Umber to the mix.  I am always amazed at how much you can do with basically red, (Alizarin crimson) yellow (Ocher), blue (Manganese) and some black and white.

No Soccer players yet...

Simplify and Focus.

St. Stephan's Cathedral - photo by Jeff Welter

At the very center of Vienna is the St. Stephan's Cathedral.  Construction for this church began in the 1300's, but it sits on the site of two even older structures built for worship.  Before the Christians, it was the site of a pagan Roman temple.  Some of the oldest remains can be seen underground in the U-Bahn station nearby. 

"Wait for It" 7" x 5" oil on "Gessobord" c. 2012

Walking around this intricate Gothic style church, it was hard to get a decent picture because it is so large and there is so much detail.  I did like the Gargoyle dog waterspouts and I took a few pictures because I thought I could see a few pigeons perched way up there on those stone dogs.

I was so delighted when I got home where I could enlarge the photos on the computer and found some fun images.  It pays when there is too much detail to simplify!   Even with a very limited close-up view, it still took quite a bit of time for me to get those details right.   I chose a simple palette for this painting: Manganese blue, Yellow Ochre, and    Alizarin Crimson--plus black and white.

Trying to Capture a Mermaid

"Mermaid" 5"x 7"oil on "Gessobord" c. 2012 TMW

 I optimistically thought it would only take me a week to finish my second attempt at the Mermaid.  She wasn't so easy to catch.

 After looking at the palette choices for the first painting, I felt the ultramarine blue was just too cold.  I did some more exploring and mixing and found that the manganese blue mixed with yellow ocher made the nicest warm green I was looking for.  You  can see the new palette with my favorite mixes circled.  That was the fun easy part.

Burnt Sienna, Manganese Blue, Yellow Ochre & Alizarin Crimson.

I really struggled with getting the balance of the colors on the Mermaid and the background and the face in the shadows to all work together.  I repainted things several times, lots of layers.  Something that looked good one day didn't the next.  Also my lack of experience with painting people, I redid eyes and lips, I don't know how many times.  I wanted her to look more alive than the original statue, but also still otherworldly.

 Overall, I think the painting works and I am ready to call it a tie.  I agree with the old sailors, beware of mermaids, they are tricky creatures!

Try and Try Again

First palette color choices for "Mermaid"

I decided to focus on the wonderful sculpture that is everywhere here in Vienna as my next painting subjects. After painting my self-portrait, I realized I could use some time on the human figure. I tend to avoid painting people, but I think it is time I face some of that fear. At least sculptures can sit for you for hours.

My first subject that interested me was a fountain I took a picture of at night. Challenging to paint the human face with the light source coming from beneath it, but I liked the eerie, unusual feeling that I think is appropriate for a mermaid.

"Mermaid" first try...

My first attempt was pretty good on color and light, but I didn't like the composition. Too much dark, empty space on the bottom of the painting. I realized after I got the basic color in place that I was going to have to start over again. Sigh. I am glad that the second try as a horizontal painting already looks better, even in the grey under-painting stage. Now, if I can keep from getting too "busy" with the background...continued next week.

Seven Swans a Swimming...

"Encounter" 5"x 7" oil on "Gessobord" c. 2012 TMW

I have reached my goal of six swan paintings, plus one! I am pleased to have succeeded and I feel like the paintings have been improving each time.

My favorite part of this painting is the interaction between the swans. Relationships keep life interesting, happy and sometimes frustrating.

I feel that way with painting. I used the same palette choices as "Island of Calm", but this painting still has it's own unique look. Part of the fear and fun of painting is not knowing exactly what the result of your choices will be. It does take determination to keep moving forward when a painting appears to be a failure. I don't like that part, but like any relationship, I try to trust that it is just part of the growing process.